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威爾史密斯的電影我覺得都不錯噢~

如果接受不了《盲視》和《我想要結(jié)束這一切》這類意識流的敘事和剪輯風(fēng)格，那么你可能也不會喜歡這部電影， 彼得羅夫流感的魔幻現(xiàn)實主義風(fēng)簡直就是“天花亂墜”，開頭只吃了一片過期的阿司匹林，然后就墜入了蘇聯(lián)與俄羅斯“喝醉了”的魔幻歷史里，腐敗、恐同、航天、舊體制等各種歷史元素都加入了這場流感引發(fā)的鬧劇里，迷幻感、暈眩感接踵而來交織呈現(xiàn)，猶如高燒期間的你又被導(dǎo)演灌了十瓶伏特加那樣，沒有喘息的機會。導(dǎo)演應(yīng)該很懷念舊蘇聯(lián)，畢竟那個時代的“流感”吃一片過期的阿司匹林還是能挺一挺的

作為娛樂片還不錯。直到我發(fā)現(xiàn)騰訊VIP看的是刪節(jié)版。

4.5 love it, even though the line between fiction and reality is supposedly clear particularly after 2nd viewing (obviously, the execution, the writer, the attempted suffocation by pillow scene are all imaginary) , there are still lots of postmodern smoke and mirrors and humors left (what the heck with all the bleeps, what does alien abduction mean, and at the very end, is Petrov just returning home ALONE? and his house becomes a dollhouse! Has he always been alone and the entire film is his comic work?). Now the cliched praise: dashing camera, surreal transition, 3-act structure each in its own shooting style and lighting invoking distinct emotions and motifs undercutting one another.

中規(guī)中矩的"情感動作片" 柔情老鐵漢依然是連母尼森的套路.. 不過就是愛看。